
2024 Minneapolis Music Census
Minneapolis Music Summit
Following 2024’s Minneapolis Music Census, join the City of Minneapolis Arts & Cultural Affairs Department, in partnership with the Minnesota Independent Venue Alliance for a day of community-building, celebrating and imagining the future of Minneapolis music. Whether you are a musician or a promoter, working in management, recording, venues, studios, or policy, and whatever your genre, you are invited.
Get connected to resources, give feedback on policy ideas, and be a part of the conversation.
When: 11 a.m. - 5 p.m., Saturday, May 10, 2025
Where: Green Room, 2923 Girard Ave S, Minneapolis, MN 55408
Minneapolis Music Summit schedule
11:30 a.m. – Welcome
Welcome to the Minneapolis Music Summit, with remarks from Arts & Cultural Affairs, the Minnesota Independent Venue Alliance, and an invocation from Minneapolis Poet Laureate Junauda Petrus.
12 p.m. – Panel 1 – Creative funding and getting yourself out there
How do you build a life in music? Join this panel discussion around entrepreneurship, funding, audience-building and collaboration in a creative career, featuring candid, expert, and practical advice. Featuring: Andrea Pierre, MPR; Pablo Siqueiros, Metro Regional Arts Council; Tall Paul, Hip Hop Artist; Vie Boheme, Bohemian Way.
1 p.m. – Panel 2 – Venues, festivals, and performers, working together
A live performance ecosystem is made up of a lot of different parts that are dependent on each other in different ways. Join this conversation around the needs of artists, venues, and festivals in booking and putting on successful shows. Featuring: Symone Wilson, Freeze Pop Records; Corey Bracken, Pilllar Forum; Nadirah McGill, Twin Cities United Performers & Gully Boys; Cecilia Johnson, Berlin; Grant Meachum, Minnesota Orchestra.
2 p.m. – Panel 3 – Policies & Programs – A dialog about what's needed in Minneapolis
Let's talk about policy, professional, and community development! As the city of Minneapolis changes, what role does music and the music ecosystem play in advancing a more vibrant and equitable city? Featuring: Ben Johnson, Arts & Cultural Affairs; Ben Shardlow, Minneapolis Downtown Improvement District; Buffie Blesi, MNIVA; Kellie Larson, IATSE Local 13; Bao Phi, The McKnight Foundation.
3 p.m. – Panel 4 – Future dreaming – What do we want to build?
Close out the Summit with a wide-ranging conversation about opportunities and the future for our music ecosystem, talking about technology, community, and our place in the national landscape. Featuring: Katie Thornton, Independent Journalist & Musician; Jeff Lin, Pennant.tv; Chadwick "Niles" Phillips, The Avant Garde; David Safar, The Current; Dr. Christopher Rochester, MacPhail Center for Music.
Resources: Professional development and legal resources from Springboard for the Arts, DEMO MN and the Minnesota Music Archive, mental health and wellness resources from Dissonance, and SPEAK MPLS providing free headshots!
Meet the 2025 Minneapolis Music Summit Panelists
Meet the 2025 Minneapolis Music Summit Panelists
-
Andrea Pierre is the Director of Community Engagement at MPR|APM, where she leads institutional giving and serves as a liaison connecting communities across Minnesota to MPR’s content and initiatives. She joined MPR in 2024 after years of advocacy in community media, most notably leading KRSM, a local Low Power FM Radio Station, where she amplified local voices and narratives.
-
Pablo Siqueiros is an artist and arts administrator currently serving as a Program Officer at the Metropolitan Regional Arts Council. He is originally from San Diego but has called Minnesota home since 2017. An opera singer with a Bachelor of Music from San Diego State University and a Master of Music from Roosevelt University, he performs regularly with Minnesota Opera. Before joining MRAC, Pablo ran a mentorship program for at-risk youth and spent seven years managing opera education programs.
-
Vie Boheme is a Motown native, blossomed in Pittsburgh and refined in Minneapolis. A multimodal artist—choreographer, dancer, actress, and poet—she brings athletic agility to vocal performance, dancing and singing in unison. Her theatrical dance experiences weave storytelling, poetry, and monologue, inviting visceral human connection through intentional, embodied expression.
-
Tall Paul is an innovative Native Hip Hop artist from Minneapolis, MN. His multi-lingual language revitalization single “Prayers in a Song 2” incorporates the Ojibwe language through rhyme. Carbon Sound FM named his single “Zombies Ate My Natives” Best Minnesota Music October 2024. He’s a 2025 United States Artists Fellow.
-
Cecilia Johnson is the music booker at Berlin in Minneapolis. She is also an award-winning music and food journalist—having written for The Current, Eater Twin Cities, Primetimer, and Racket—and longtime restaurant worker.
-
Grant Meachum joined the Minnesota Orchestra as Director of the Live at Orchestra Hall series in February 2015. In This role, he works with Principal Conductor Sarah Hicks to create a diverse range of concerts, including collaborations with Minnesota-based artists such as Dessa, Cloud Cult, Nur-D, PaviElle, Chastity Brown, Charles Lazarus, The Steeles, BRKFST Dance Company, The Moving Company, and The New Standards; as well as the Orchestra's Movies and Music series.
-
Symone Wilson is a producer, label co-owner, and recording artist under the moniker SYM1 (sim-ONE). With over 10 years of experience in entertainment, non profit, and marketing roles, she finds herself at the intersection of arts, culture, and business.
-
Corey Bracken is the founder of PILLLAR, a Minneapolis-based coffee shop, bar, and all-ages music venue that blends skate culture, sustainability, and community.
-
Nadirah McGill (Nadi), a founding member of Gully Boys, is a seasoned touring musician known for their high-energy performances. They've shared stages with Gwen Stefani, Joan Jett, and Motion City Soundtrack. Beyond music, Nadi organizes with TakeAction Minnesota and Twin Cities United Performers, building power for musicians across Minnesota.
-
Ben Johnson, a native Minnesotan, is the Arts & Cultural Affairs Director for Minneapolis. He previously held arts leadership roles in Los Angeles, UCLA, United States Artists Inc., University of Minnesota, University of Michigan, and Ordway Center for the Performing Arts. He earned his B.A. and M.A. in Arts Administration from St. Mary’s University of Minnesota.
-
Kellie Larson works in our industry as a prop builder and prop assistant. She is a long time member of IATSE Local 13.
Sister Larson has been a member of IATSE Local 490 since 2020.
-
Bao Phi is the Arts & Culture program officer at McKnight, fostering partnerships, managing grants, and supporting Minnesota’s artists. With nearly 23 years at the Loft Literary Center, he advanced anti-racism initiatives, managed the McKnight Artist Fellowship, and co-created Mirrors and Windows to mentor underrepresented writers.
-
As an urban planner and designer focused on downtown Minneapolis, Ben Shardlow has developed innovative programs to address urban challenges for over a decade. He has a Master of Urban & Regional Planning degree from the University of Minnesota. More importantly, he is a music geek at heart and a past member of the VocalEssence chorus, Jazz on Toast, and The Testostertones.
-
Buffie Blesi is the Chief Executive Officer of Rock What You Got, and the Vice Chair of the Minnesota Independent Venue Alliance. Buffie is an entrepreneur on a continuous journey to make a real and impactful difference for women through community connections, impassioned support of equality and opportunity, widening educational avenues and encouraging women to be who they are without judgement or apology.
-
Jeff Lin is the Co-Founder and CEO of pennant.tv, a platform that enables creators to launch a custom-branded subscription TV channel. He’s an active Board member at the Ordway Center for Performing Arts and Theater Latté Da, and a Trustee of American Public Media and Minnesota Public Radio.
-
Katie Thornton is a longtime local musician and journalist. Born and raised in Minneapolis, she currently plays in punk bands Constant Insult and Miracle Debt. After years at KFAI, she transitioned to freelance journalism in 2018, where she has received awards including the Peabody for her work with outlets like Rolling Stone, WNYC, The Guardian, 99% Invisible, National Geographic, and many more.
-
Chadwick "Niles" Phillips, CEO/Founder of The Avant Garde, produces concerts, curated events, and the annual “On The One” music festival in Bloomington. A 2006 Michigan State University Communications graduate, he pursued music, film, and education in New York City. He represents Grammy-winning artist Ben Williams and is the son of jazz/symphony bassist Sam Gill. His youth program, "Hip-Hop, History and The Arts," is taught statewide in Minnesota. Phillips has earned a Black Music America Award, Bloomington Pioneer Award, and an Outstanding Alumni Award from MSU. He is currently an artist in residence at Walker West Music Academy.
-
Christopher Rochester, an African American musician, educator, and composer with 15 years of professional experience, has collaborated with leading artists like Greg Osby and George Garzone. Deeply influenced by Black American cultural traditions, he integrates this heritage into his performances and teaching.
As an educator, he has worked across multiple states, guiding students to scholarships at top institutions like Berklee College of Music and the University of North Texas. Many of his students have earned state and national recognition.
-
David Safar is the Managing Director of The Current at Minnesota Public Radio. The Current is a locally based, nationally recognized, independent public media outlet best known for its radio service with a portfolio of digital content channels. Most recently, The Current launched Carbon Sound, a platform dedicated to amplifying artists and local voices.
2024 Minneapolis Music Census
Full report is now available
What was it?
The Minneapolis Music Census was a community-led initiative to learn more about the needs of the music ecosystem in our city. It aimed to gather important information about the music industry in Minneapolis to help the city and the community make more informed, data-driven decisions. The music census launched on April 12, 2024 for three weeks. A special thanks to all who participated and for our partners and sponsors, shown below.
The survey was launched to provide the Minneapolis music community with data to create policies and solutions. It was conducted by Sound Music Cities, a Texas based company specializing in music ecosystem research, in partnership with the Arts & Cultural Affairs Department (ACA) and local public and private organizations.
The results will be shared in three reports: Summary Report, Data Deck and a DEI report, all offering valuable insights to music professionals, venues, nonprofit groups, educators, government agencies, and music lovers who support Minneapolis’ live entertainment scene.
The 2024 Minneapolis Music Census was the most extensive music survey of Minneapolis to date.
-
15 minutes is all it takes to shout out what you need as a musician in Minneapolis. Let’s get our voices heard.” — Rodney P. Fair, Singer, Sounds of Blackness
-
“Everyone in our industry needs to be a part of this census. ¡Adelante caballeros!” — Joaquin Delgado-Ortiz, Minneapolis musician for over 15 years
-
Three-time, Grammy Award-Winning Sounds of Blackness wants everyone who is part of the Minneapolis music ecosystem to take part in the most extensive music survey of Minneapolis to date! — Sounds of Blackness
-
“Soy la mas joven Latina acordeonista profesional de Minnesota. Quiero más oportunidades para tener éxito en Minneapolis y este censo puede mostrarles a todos lo que se necesita. Todas las personas con las que trabajo aman la música, es nuestra vida, pero necesitamos que sea sostenible.” — Jolette Rivera, Elegancia, LR
-
“We encourage all eligible individuals within the Minneapolis music community to participate in the census. Your insights are invaluable in shaping the future of our industry and ensuring its continued growth and vitality.” — Shayna Melgaard, President Minnesota Independent Venue Alliance (MNIVA)
-
“With this census performers and everyone in the music industry can describe what their lives are really like and to ask for what they need to thrive.” — Jaspar Lepak, Singer-Songwriter, Minneapolis Arts Commission
Thanks to all of our partners & supporters
Minneapolis Music Census - related questions
-
Music community leaders in Minneapolis recognized the importance of having measurable information to better support all those involved in music-related work. The census results will offer valuable insights to music professionals, venues, organizations, academia, and government agencies in Minneapolis, as well as music lovers who contribute to the city’s vibrant entertainment scene.
-
The census included questions about music workers’ backgrounds, jobs, and views on important topics like diversity and inclusion. It did not ask for personal details like names or addresses.
-
Sí, la encuesta estaba disponible en español. Una vez que el participante hacía clic en el enlace del censo, podía elegir entre inglés o español. La opción sólo estaba disponible en la primera página.
Si alguien necesitaba ayuda, se le dirigía al personal de ACA por correo electrónico.
-
A voice in the final results, which was crucial for making sure everyone’s responses were included. Additionally, the final report will be available via this website for respondents and others to use to support their particular music related causes.
-
The census did not collect personal information. All responses were anonymous and identified as “Census Respondent” in the final results.
-
It typically look 10-20 minutes, depending on the participant’s role (creative, venue owner, or industry) and whether they chose to provide detailed comments. On average, respondents could spend as little as 13 minutes on the survey.
-
Anyone 18 years or older working or studying in the music industry in any capacity in Minneapolis was eligible to participate.
-
It was recommended they they join the census if they worked in the music industry in any capacity, whether paid or unpaid. Their contributions, skills, and dedication were important and valued.
-
It was suggested that respondents chose one primary identity (creative, venue owner, or industry) for the census, and for the sake of data analysis. Additionally, there were opportunities to share details about other roles participants had within the survey.
-
Respondents could use a desktop, laptop, tablet, or smartphone to complete the census. Although the same device had to be used to complete the census later.
-
The results of the Minneapolis Music Census would be released in the fall of 2024 through a downloadable PDF Report and a Dashboard
-
An emai forl Sound Music Cities was listed.
Additional Resources
In 2018 we completed historic context study of Minneapolis music history. We did this from a historic preservation angle, having received a grant from the National Park Service through the Minnesota State Historic Preservation Office. We’re rather proud of the outcome and have presented about the report at several conferences. We also organized a Minneapolis music history bus tour this past April at the National Planning Conference. The final report can be found here on the City’s web site:
one of the consultants who worked on the report has more recently developed a side business and app called SoundAround tours: https://soundaroundtours.com/
And one of the our former CPED staff people who worked on the report put together this cool page as part of our bus tour: https://www.theplanninglady.com/music-history